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These are the Declaration Latin: Confessio [3] and the Letter to the soldiers of Coroticus Latin: Epistola , [4] from which come the only generally accepted details of his life. In it, Patrick gives a short account of his life and his mission. Most available details of his life are from subsequent hagiographies and annals , which have considerable value but lack the empiricism scholars depend on today. Hagiography records other names he is said to have borne. Harvey argues that Cothraige “has the form of a classic Old Irish tribal and therefore place- name”, noting that Ail Coithrigi is a name for the Rock of Cashel , and the place-names Cothrugu and Catrige are attested in Counties Antrim and Carlow. His own writings provide no evidence for any dating more precise than the 5th century generally. His Biblical quotations are a mixture of the Old Latin version and the Vulgate , completed in the early 5th century, suggesting he was writing “at the point of transition from Old Latin to Vulgate”, [10] although it is possible the Vulgate readings may have been added later, replacing earlier readings. In “the elder Patrick” Irish:

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This index page contains a listing of original works of art created by artists from England, Ireland, Scotland and Wales, and or art with an English, Irish, Scottish or Welsh theme. The artworks date from the 17th century to the 20th and early 21st century. We sell original paintings, watercolors, drawings, monotypes, engravings, etchings, lithographs and other mediums of original graphic art.

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Early history[ edit ] Kettering means “the place or territory of Ketter’s people or kinsfolk “. Before the Romans, the area, like much of Northamptonshire’s prehistoric countryside, appears to have remained somewhat intractable with regards to early human occupation, resulting in an apparently sparse population and relatively few finds from the Palaeolithic , Mesolithic and Neolithic periods. Roman[ edit ] Like most of what later became Northamptonshire, from early in the 1st century BC the Kettering area became part of the territory of the Catuvellauni , a Belgic tribe, the Northamptonshire area forming their most northerly possession.

The town traces its origins to an early, unwalled Romano-British settlement, the remnants of which lie under the northern part of the modern town. Occupied until the 4th century, there is evidence that a substantial amount of iron smelting took place on the site. However it is felt unlikely that the site was continuously occupied from the Romano-British into the Anglo-Saxon era. Saxon[ edit ] Excavations in the early 20th century either side of Stamford road A43 , near the site of the former Prime Cut factory now the Warren public house , revealed an extensive early Saxon burial site, consisting of at least a hundred cremation urns dating to the 5th century AD.

This suggests that it may have been among the earliest Anglo-Saxon penetrations into the interior of what later became England. The prefix Wic- of the nearby village of Weekley may also signify Anglo-Saxon activities in the area; Greenall reports that it could be “an indication of foederati , Anglo-Saxon mercenaries brought in to boost the defences of the Empire. By the 7th century the lands that would eventually become Northamptonshire formed part of the Anglo-Saxon kingdom of Mercia.

Northamptonshire was conquered again in , this time by the Vikings of York, who devastated the area, only for the county to be retaken by the English in The boundaries delineated in this charter would have been recognisable to most inhabitants for the last thousand years and can still be walked today. Medieval[ edit ] At the Domesday survey in , Kettering manor is listed as held by the Abbey of Peterborough, the church owning 10 hides of land.

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Share The interment of a deceased person with ecclesiastical rites in consecrated ground. The Jews and most of the nations of antiquity buried their dead. Amongst the Greeks and Romans both cremation and interment were practised indifferently.

A time line from before writing began to the present, linked to Andrew Roberts’ book Social Science History and to other resources.

Reconstruction Roman and Early Christian There are many ways in which the term ancient Roman art can be defined, but here, as commonly elsewhere, it is used generally to describe what was produced throughout the part of the world ruled or dominated by Rome until around ad , including Jewish and Christian work that is similar in style to the pagan work of the same period. The Romans were always conscious of the superiority of the artistic traditions of their neighbours.

Such works of art as were made in or imported into Rome during the periods of the monarchy and the early republic were produced almost certainly by Greek and Hellenized Etruscan artists or by their imitators from the cities of central Latium; and throughout the later republican and the imperial epochs many of the leading artists, architects, and craftsmen had Greek names and were Greek, or at any rate Greek-speaking. References in ancient literature and signatures of artists preserved in inscriptions leave no doubt on this point.

According to tradition, the earliest image of a god made in Rome dated from the 6th century bc period of Etruscan domination and was the work of Vulca of Veii. A magnificent terra-cotta statue of Apollo found at Veii may give some notion of its character. The plundering of Syracuse and Tarentum at the end of the 3rd century bc marked the beginning of a flow of Greek art treasures into Rome that continued for several centuries and played a leading role in the aesthetic education of the citizens.

Veii ApolloVeii Apollo, clay statue, c. The first appearance of three art forms that expressed the Roman spirit most eloquently in sculpture can be traced to the Hellenistic Age.

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However, much has happened since it went up, including the Blogger outage. Scroll down for a report on that. More new posts will be added below this one. The essay below is the conclusion of the ninth part in a series by Takuan Seiyo.

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The parentage of Eudes [I], the earliest recorded member of the Dammartin families in England, is not known. According to Domesday Descendants, he was the son of Hugues [I] Comte de Dammartin [1] , but it is unclear whether this suggestion is based on a specific source. Another possibility is that Eudes was a knight who took his name from the castle of Dammartin but was either unrelated, or related only distantly, to the comital family.

A further difficulty is introduced by an undated charter, quoted below, which was witnessed by numerous Dammartin individuals. The basis for this assessment is not known. If it is correct, all the named individuals could not have been descended from Eudes [I], which would indicate that other Dammartin individuals accompanied him to England. However, the document would make more sense if dated to the s, in which case it would be chronologically feasible for Eudes [I] to have been the ancestor of all the witnesses.

Odo de Domino Martino Neot of Eynulfisbury [3].

Social Science History: Time line for the history of society, science and social science

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The Art of the Print British Artist index contains a listing of original works of art created by English, Irish, Scottish and Welsh artists or art with a British theme. Our Gallery offers a wide selection of international fine art, original graphic art, paintings, watercolors and drawings. Full documentation is provided, Authenticity Guaranteed.

Share In the following article an account is given of Christianity as a religion, describing its origin, its relation to other religions, its essential nature and chief characteristics, but not dealing with its doctrines in detail nor its history as a visible organization. These and other aspects of this great subject will receive treatment under separate titles. Moreover, the Christianity of which we speak is that which we find realized in the Catholic Church alone; hence, we are not concerned here with those forms which are embodied in the various non-Catholic Christian sects, whether schismatical or heretical.

Kenyon “Handbook of the Textual Criticism of the N. We have this further warrant for doing so, that the most mature critical opinions amongst non-Catholics, deserting the wild theories of Baur, Strauss, and Renan, tend, in regard to dates and authorship, to coincide more closely with the Catholic position. He who attentively studies these letters those i.

For clearness’ sake we shall arrange the subject under the following chief heads: According to the accepted chronology, these began their mission on the day of Pentecost, A. In order the better to appreciate the meaning of this event, we must first consider the religious influences and tendencies previously at work in the minds of men, both Jews and Gentiles, which prepared the way for the spread of Christianity amongst them.

The whole history of the Jews as detailed in the Old Testament is seen, when read in the light of other events, to be a clear though gradual preparation for the preaching of Christianity. In that nation alone, the great truths of the existence and unity of God, His providential ruling of His creatures and their responsibility towards Him, were preserved unimpaired amidst general corruption. The ancient world was given to Pantheism and creature-worship ; Israel only, not because of its “monotheistic instinct ” Renan , but because of the periodic interposition of God through His prophets, resisted in the main the general tendency to idolatry.

Besides maintaining those pure conceptions of Deity, the prophets from time to time, and with ever increasing distinctness until we come to the direct and personal testimony of the Baptist, foreshadowed a fuller and more universal revelation — a time when, and a Man through Whom, God should bless all the nations of the earth. We need not here trace the Messianic predictions in detail; their clearness and cogency are such that St.

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British Artist Index

St Mary’s Church The name Watford is first mentioned in an Anglo-Saxon charter of , where “Watforda” is one of the places marking the boundary of “Oxanhaege”; this is believed to refer to the ford. It is not mentioned in the Domesday Book of , when this area was part of St Albans’ Abbey’s manor of cashio. In the 12th century the Abbey was granted a charter allowing it to hold a market here and the building of St Mary’s Church began.

Kettering is a town in Northamptonshire, England, about 67 miles ( km) north of London and 15 miles (24 km) northeast of Northampton, on the west side of the River Ise, a tributary of the River name means “the place (or territory) of Ketter’s people (or kinsfolk)”. At the census, the borough had a population of 93, The town is twinned with Lahnstein, in Germany and.

Bring fact-checked results to the top of your browser search. Roman and Early Christian There are many ways in which the term ancient Roman art can be defined, but here, as commonly elsewhere, it is used generally to describe what was produced throughout the part of the world ruled or dominated by Rome until around ad , including Jewish and Christian work that is similar in style to the pagan work of the same period.

The Romans were always conscious of the superiority of the artistic traditions of their neighbours. Such works of art as were made in or imported into Rome during the periods of the monarchy and the early republic were produced almost certainly by Greek and Hellenized Etruscan artists or by their imitators from the cities of central Latium; and throughout the later republican and the imperial epochs many of the leading artists, architects, and craftsmen had Greek names and were Greek, or at any rate Greek-speaking.

References in ancient literature and signatures of artists preserved in inscriptions leave no doubt on this point. According to tradition, the earliest image of a god made in Rome dated from the 6th century bc period of Etruscan domination and was the work of Vulca of Veii. A magnificent terra-cotta statue of Apollo found at Veii may give some notion of its character.

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The parentage of Eudes [I], the earliest recorded member of the Dammartin families in England, is not known. According to Domesday Descendants, he was the son of Hugues [I] Comte de Dammartin [1] , but it is unclear whether this suggestion is based on a specific source. Another possibility is that Eudes was a knight who took his name from the castle of Dammartin but was either unrelated, or related only distantly, to the comital family.

A further difficulty is introduced by an undated charter, quoted below, which was witnessed by numerous Dammartin individuals. The basis for this assessment is not known. If it is correct, all the named individuals could not have been descended from Eudes [I], which would indicate that other Dammartin individuals accompanied him to England. However, the document would make more sense if dated to the s, in which case it would be chronologically feasible for Eudes [I] to have been the ancestor of all the witnesses.

Odo de Domino Martino Neot of Eynulfisbury [3]. Ralph Archbishop of Canterbury confirmed the possessions of Lewes priory by charter dated , including property “in episcopatu Wintoniensi Oddo de Donmartini et ecclesia de Suthwerca” [4]. It is unclear from the full text of this document whether it was the same property jointly owned by the two donors which was donated, or whether the two individuals were unconnected.

There is no proof that she was the mother of all the children of Eudes [I].

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